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social realism

​the each day sun came      and ran over the house       thick
 
as silk hanging from the line    my body behind
 
that window in a time      when the white phone could sit all day
 
on my dresser      as silent as milk        there was elsewhere and this
 
was nowhere      suffer the relentless trains
Picture
Hollis Johnson. Untitled (Q Train), 2017.

Betsy Johnson-Miller’s work has appeared in Boulevard, Alaska Quarterly Review, Prairie Schooner, and North American Review. She lives in Minnesota.
Hollis Johnson was born in 1993 in New Hampshire. He began pursuing photography in high school before attending the Massachusetts College of Art and Design, which he graduated from in 2015. He is currently based in New York City. His work projects uncanny sterility to banal objects and scenarios presented in tableau — snapshots of America drenched in sunlight yet trapped in antifreeze. His images narrate a lyrical world only just slightly askew of our own.
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  • Home
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    • Masthead
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    • Issue Twelve
    • Issue Thirteen
    • Issue Fourteen
    • Issue Fifteen
  • Guidelines